Just a brief note to thank those of you who joined me at the Free Community Workshops in Support of the All Souls Procession. From the little paper mâché masks to the giant riderless motorcycle, it was for me a wonderful adventure and I’m happy I got to share my love of the creative spirit with you. I will probably be doing it again next year. Looking forward to a little down time.
Every weekend in October myself and many wonderful and talented local artists will be running the All Souls Procession Free Community Workshops. It’s a place where we have space,talent and materials to help you achieve your creative vision for the All Souls Procession.
Want to make a mask, lantern, big-head puppet, or shrine. You can do that. Have a grand vision of a float, a marching band of the dead, a mobile temple? We can do that too! Get your self down the the workshops and help us help you to make the most of this incredible unique rich cultural experience.
Every weekend in October Both Saturday and Sunday 11AM-5PM with special week night workshops announced on our facebook page adhoc.
Steinfeld Warehouse 101 W. Sixth Street Tucson AZ.
Bring yourself and any kind of art, craft or building materials you might have Donations happily accepted!
We will help you!
Now get your bad self down and get your Procession ON!
The Cardboard Ball is a participatory art party, cardboard fueled super dance destroyer. Once a year local artists and the general public are invited to make art and fashions out of cardboard (or any recycled repurposed material) and come together in celebration and support of the creative spirit. All proceeds from the Cardboard Ball pay for the All Souls Procession Workshops. A free workshop series, open to the public that runs through October. Advanced Tickets Go on Sale September 7th at Yikes Toys in Broadway Village, Pop Cycle on Fourth Ave. and Borderlands Brewery on Toole Ave.DJ’s and Live Music provide the sonic backdrop. Food trucks will be serving up some deliciousness and what better to go with that than a cold dark malty brew made specifically for the Cardboard Ball By Tucson’s own Borderlands Brewery. Perhaps wine is more to your tastes, which we have courtesy of Tucson’s Premier Beer bar, Tap & Bottle. A photobooth will be on hand to document your evening. And Art lots of Art! Over thirty artists are creating 2D and 3D works. Attendees are encouraged to dress up in their own cardboard creations,SO GET CREATIVE!
If you are an Artist, Maker, Creative, or Lunatic and you want to make a piece for the Cardboard Ball, it’s open to everyone who wants to participate. Please inform me email@example.com that you would like to be part of the fun. Call o Artists is open until September 27th when your cardboard creations have to be dropped off at the Steinfeld Warehouse, 101 W. Sixth Street. Drop off is noon to seven PM.
Participating artists get free admission, though we encourage making a donation since it is a fundraiser.
FIND US ON FACEBOOK
All Souls Procession Workshops Page:
Cardboard Ball Event Page:
Cardboard Ball Call2Artists Event Page:
Get ready, set GO!
Thanks to Rachel Miller for giving me the opportunity to share my feelings about a city I love. Thanks to Rebecca and Scott for letting me use your wonderful Tap & Bottle as the backdrop for my story. You can read about it here.
And here is the link to my love letter to Tucson.
Here it is, the new Cardboard Ball 2013 Black & White Flyer.
Below you will find a link to a PDF copy that you can download, print out and share. Just click the PDF symbol and your download should start. Once it’s downloaded it may look kind of funky on your screen, don’t fret, it’s designed to print beautifully. Go for it!
If you’ve got printer, especially a laser printer, please print out a few copies and help spread the word.
This event exists to create a fun judgement free environment where self expression can flourish. I’m just making the space it really depends on your participation, so make something cool out of cardboard check out the facebook event page and Call2ARTISTS page and like the All Souls Procession Workshops Page for up to date information and news.
Love and sloppy wet dog kisses.
So What am I up to you ask? Well organizing, making exciting new paintings cutting up boxes and making my poor wife crazy. Oh and I’ve got a fundraiser coming up, Cardboard Ball 2. This year it’s funding the All Souls Procession Workshops that I run, I hope. So please come on down and join in the fun. Tourists are welcome but this is a participatory art party, like much of what I do, we are trying to create a culture where creativity can flourish, where everybody gets to contribute in their own unique way.
Here’s what I can tell you about the event
The Cardboard Ball is a one night only art exhibition, grooving dance party and the premier fundraiser for the All Souls Procession Free Community Workshops. The event features cardboard art on display, created by talented local artists and craftspeople. Ball attendees are encouraged to create cardboard outfits and wearable art. Last year, attendees were treated to some truly breathtaking cardboard costumes and installations and this year promises to be even grander.
This year’s event is on Saturday, September 28, 2013 at the Steinfeld Warehouse 101 W. Sixth Street. Doors open at 7:30pm.
Tickets* are $7 in advance and $10 at the door.
All proceeds benefit the All Souls Procession Workshops.
The call to artists is on going, right up to the event.
If you are an artist and interested in creating a work made out of cardboard and other recycled/repurposed material, please consider contributing a piece.
This is not a juried event or competition. All submissions will be shown providing there is room.
Three-dimensional work is preferred and submissions can be standing sculptures, hanging suspended sculptures, or items to be hung on the wall.
IMPORTANT: Because existing lighting is limited, it is recommended that your work include its own illumination.
You are encouraged to sell your work. A percentage of the selling price goes to support the All Souls Procession Workshops.
etup for the artists is Friday, September 27th.
You do not need to submit work before the setup day, however space is limited, so you do need to sign up in advance to contribute work. Please contact Mykl Wells at firstname.lastname@example.org include a way and time to contact you!
*Tickets are free for participating artists and those who wear a costume or outfit made of cardboard, however because this is a fundraiser, donations from the artists and costumed attendees are deeply appreciated because they help us cover the cost of the All Souls Procession Workshops.
I’m working on several projects for the Ball. I’m trying to set up a photobooth, for so people can self document. I plan to make these photos available online through Snap fish or similar so people can order hard copies.
We have a DJ or maybe two.
I’ve got an application for a temporary permit to sell beer and wine at the event.
I have a sound system.
A couple of food truck will be outside serving up some yummy goodness.
There will be a merchandise table for MMOS
There is a possibility that one of the local breweries will be making a special beer for the event.
We are going to also have an art raffle, tickets will be a dollar or two and you can select which piece of art you want to be in the raffle for.
We will be printing a few posters/flyers and some postcards I’m finalizing the design in the next couple of days.
Pop Cycle on 4th Ave, and Yikes toys on Broadway will sell advanced tickets starting at the end of August.
I have an interview at the beginning of September and we are trying to get on KXCI for an on air interview right before the event.
So that should give you an idea of what we are up to.
The The Cardboard Ball and Workshop Schedule
Friday the 27th of September, Art/drop off and install. Tables set up and ready. Sound system.
Saturday the 28th, the cardboard ball, doors open at 7:00
Sunday, 29th, Clean up and prep for workshops the following weekend. Artists may pick up their work if they wish.
AND LETS NOT FORGET WHAT THIS IS ALL ABOUT!
All Souls Procession Free Community Workshops run Saturday and Sunday 11AM-5PM each day. Thru October, 5th & 6th, 12th & 13th,19th & 20th, and the 26th & 27th. With special Cart Clinics announced during the course of the workshop. These will be held midweek evenings.
Title: A Thin Veneer of Consciousness
Medium: Oil on Panel
Dimensions: 18″ X 24″
Exploring the idea that consciousness is an illusion.
This weekend stop by and visit durring the Tucson Open Studio Tour. Saturday and Sunday from 11AM-5PM. Located 1 block north of Grant and 2 and-a-half blocks east of Campbell: 2115 E. Spring street. Come in the front gate and slip along the side of the house to the backyard studio. MAPS and INFO about the City Wide Tour are available in this April’s Zocalo Magazine and at tucsonopenstudios.com Look for a big sculpture out front.
Would love for you to stop by and hang out for a spell.
I will be opening my studio up for the spring studio tour this year. I don’t even like it when my wife walks into my studio so this is a rare opportunity to come in to my inner sanctum. All the important details will be published on the studio tour website and maps and listings can be found in a special upcoming edition of Zocalo Magazine. Here’s a link: http://www.tucsonopenstudios.com/
Title: Roots Run Deep
Medium: Oil on Panel
Dimensions: 16″ X 14″
A place is shaped by us as much as it shapes us.
Say hello to my new dog Izzy. She’s about six and is half Mexican Hairless (Xoloitzcuintli) though I’m not sure which half. She’s one of the gentlest creatures I’ve ever had the pleasure of hanging out with. Likes to hang out in the studio while I paint. I have kept Xolos for almost twenty years, I love them. She was at the Humane Society about to be euthanized, just couldn’t let that happen. The more I know people the more I like dogs.
Title: Emoticon 1.
Medium: Oil on Panel
Dimensions: 5″ X 6″
On the contextual planes the iconic emoticon monument crumbles, long forgotten.
Title: Emoticon 2.
Medium: Oil on Panel
Dimensions: 5” X 6″
In the desert of Scuzi an offering is made to a forgotten civilization.
Medium: Oil on Panel
Dimensions: 5” X 6”
Stuff that in your pipe and smoke it.
I’m always grateful for a little press. Check it out and help spread the word, I can use all the help I can get.
Title: Filtered Results.
Medium: Oil on Panel
Dimensions: 14″ X 14″
Did the Oracles of Delphi filter their responses, did they present you Ads before they looked into your future?
Title: Big Appetites.
Medium: Oil on Panel
Dimensions: 17.5” X 24
While in Italy this summer I spent considerable hours looking at very old beautiful wax anatomical models and I was inspired to paint this when I returned. I have a number of vices and somehow they combined with the wax and were extruded through my creative gland. Or that’s was my physician’s prognosis.
Mask, lanterns, floats and help realizing large creative projects for the All Souls Procession.
425 W. SIXTH STREET Tucson AZ 85701
Every Saturday and Sunday 11AM-5PM, for the month of October. With special clinics announced on the facebook page.
Just show up! Free to the Public, but please help support the procession and the workshops with a donation.
Lead by Myself and founder of Pork Chop Press Joe Marshal. Facilitated by other local talents.
As co-founder of the All Souls Procession it holds a special place in my heart. I want to see it grow and blossom for many years to come. That won’t happen with out community support I feel the best way to get that community support is to support the community. The workshops are non-commercial and free and inclusive. Everybody is welcome. We are here to help you realize your vision for the all souls procession, to make incredible floats, masks, lanterns… you dream it we’ll do our best to help it become a reality.
Please consider donating generously to help support the workshops. Below is a special link to Many Mouths One Stomach the organizing non-profit of the procession and our Umbrella organization. By using this link your donation will be earmarked specifically for the All Souls Procession Workshops.
Medium: Oil on Panel, Cardboard Frame
Dimensions: 18″ X 18.5″
In the age before computers invoking Grep was a perilous action.
Nice article, I’m really fond of those lanterns too!
Medium: Cardboard & Resin
Dimensions: 18′ tall
winning project of the 2012 edition of Cartasia, Theme: Crisis and rebirth. Held in Lucca Italy. This is an approximately 18 foot tall sculpture. Made of cardboard over a light internal wood frame and sealed with a waterproof coating.
Following the theme, “Crisis and Rebirth”, I chose a perennial bulb as the metaphor, the Snowdrop, galanthus nivalis. As with many bulbs, this flower cannot bloom until it has experienced the stress of the winter. It becomes dormant during the colder season, storing energy in it’s underground body. Once the weather warms and spring arrives, the snowdrop uses this energy to bloom into an exquisite white flower. This speaks to the cyclical nature of crisis and rebirth – one cannot happen without the other. The bulb will be represented by an inverted head, with the point of view that the head is literally upside down. Springing out of this the green shoots and beautiful blossom, like a new idea. At once alive, engaged, and beautiful.
Working 16 or more hours a day for the full month, I was inspired by the people of Lucca who opened their arms and embraced me as a brother, the community of friends whose generosity allowed me to come to Tuscany and the history and beauty of this amazing walled city.
After carefully reviewing the six works of sculpture created by the artists, the Cartasia Selection Committee (http://cartasia.it/index.php) selected Snowdrop as the winner, based on his piece’s technical proficiency, expression of the theme and aesthetic merit. (The public, which also had the opportunity to vote by paper and online ballot, was given 20% share of the total vote.)
Cartasia was the most challenging artistic endeavor of my career. I gave everything I had to create a piece that would honor the people and the place. I also have more grey hair than I used to.
You can read more about putting it all together on the recent news section of this site (http://myklwells.com/19/08/2012/how-i-spent-my-summer-vacation-or-how-i-nearly-killed-myself-making-a-giant-upside-down-cardboard-head-in-the-name-of-art/)
How I spent my summer vacation or “How I nearly killed myself making a giant upside-down cardboard head in the name of art”.
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Cartasia is a biennial cardboard and paper art competition, resedency and month long exhibition held in the medieval walled city of Lucca, Italy. Lucca is just a few miles north east of Pisa in the rolling Tuscan countryside.
This story starts in August of 2011 I submitted one of my cardboard sculptures, Chimera to a website called Recyclart.org (http://www.recyclart.org/2011/08/chimera-cardboard-sculpture/), and it published shortly there-after. I received emails from several other artists who were also working in cardboard. One of them, Alessandra Fiordaliso, had also been featured on Recyclart (here and here). She told me about Cartasia and suggested I submit a proposal. I investigated http://cartasia.it and thought it was pretty exciting.
I submitted a conceptual proposal and out of 148 submissions 28 were chosen to submit a feasibility study outlining a budget, timeline and various aspects of what it would really take to build the proposed sculpture. From this group 6 contestants were chosen and though it seemed unimaginable to me, I was one of them.
I’m a working artist. I don’t make much money and I live hand to mouth for the most part. The Idea of taking a month away from the work that keeps me fed and mortgage paid wasn’t looking too promising. Cartasia would cover my travel, lodging and materials but food was up to me. The artists competing weren’t paid. It’s rare in life that an opportunity like this avails itself and I wasn’t going to let it slide away. I turned to my local community with two fundraisers. I held a raffle for one of my paintings, and held a cardboard art exhibition and dance party called the Cardboard Ball. The raffle was a huge success and I raised the money I needed within two days. I was really deeply touched by the outpouring of love and support from my community.
During this time I also built a half scale version of the sculpture. To help galvanize support for the project and also to better understand what I was up against. This proved to be a very good idea.
At the beginning of June I left my home in Tucson Arizona and Flew to Tuscany where I got to work immediately building the most ambitious cardboard sculpture of my life, Snowdrop. Cartasia has a theme and this year it was Crisis and Rebirth. I chose to base my sculpture on the snowdrop, galanthus nivalis, a perennial bulb which cannot bloom until it has experienced the stress of the winter. The sculpture was also anthropomorphized by representing the bulb as an inverted head. It’s point of view was literally a world turned upside-down.
The sculpture was built in stages and was designed to break down in to smaller components which could be moved through gates and loaded on a truck.
The first task was to build an internal frame and base These were made with plywood since the sculpture would be displayed outdoors and it needed to be able to survive the elements and the public.
The second task was to create the cardboard skin over this light frame. This is a very organic and meditative process. Sculpting organic forms out of cardboard is challenging but the results are impressive. This was a monumental task. Surface area cubes. Building a sculpture that’s twice as big is three times the job.
The leaves and flower elements of the sculpture proved to be very challenging From my experiments with the half scale sculpture I knew that the flat leaves used in the original model would not hold up to the elements. The leaves were made triangular in cross section which made them much stronger, but also a lot more work.
The flower stalk proved to be a nightmare. The size of this sculpture was pushing the cardboard to it’s structural limits. The original design of the stalk was not strong enough to support it’s own weight and it failed. I tackled the problem first by making a new flower stalk with and internal frame of wood. This proved to be to heavy to be supported by the cardboard in the head and base. I finally settled on a solution by making the stalk out of cardboard but making it smaller and lighter and supporting it in two places.
Bit by bit all the elements of the sculpture came together. Water proofing was a huge task. How do you make a cardboard sculpture water tight? I used polyester resin over a water-based polyurethane so that the resin would not discolor the cardboard. The resin is horrible stuff to use by the end of the two days I worked with it I was suffering neropathy in my fingers and toes. Even using a proper mask it was by far the worst most toxic job. Never again.
When I make a proposal I intentionally over-reach. In this way I push myself to make more challenging and remarkable work than I might otherwise. But I also often retreat from that original position I still end up making something more exceptional but I don’t kill myself. On this project there was no retreat.
All in all I worked sixteen to eighteen hours a day for a month, I took one day off. I would wake up around five-thirty, ride a bike to the studio work for an hour or two get coffee and a bite when the cafes opened, work until lunch, come back work until dinner, return to the studio and work until exhaustion stopped me, usually one or two in the morning. I have never been so tired in all my life.
At times when I need to dig a little deeper I thought of all the love and support my community gave to me, I thought of this once in a life chance, I thought of the handwork and money that made this possible, I thought of the city it’s people and it’s history, and I was able to draw strength from that.
There is a film by the great Russian director Andrey Tarkovskiy called Andrei Rublev. In it there is a young boy, the son of a bellmaker who claims he alone possesses his late fathers secrets of casting. He is tasked with a huge project which grows in cost and complexity. Through it all he confidently asserts his knowledge, making risky decisions. In the end the casting is a success and the bell rings true and clear. At this point the boy collapses to the ground, sobbing and he admits his father never told him the secret of casting a bell. By the end of construction of my piece, Snowdrop, this is how I felt. Somehow through natural talent and faith it became a reality, I’m still not entirely sure how.
At the beginning of July mine and 6 other artworks were put on display. At the end of the month It was announced that I had won the competition. I am deeply honored. This was an astonishing and transformative experience I feel that I lived Crisis and Rebirth in making this journey.
Medium: Oil on Panel, Cardboard Frame
Dimensions: 14” X 14”
Insidiously it creeps into your system.
American Artist Mykl Wells Wins Cartasia 2012 International Paper and Cardboard Art Exhibition in Lucca Italy.
The Cartasia (http://cartasia.it/index.php) Selection Committee announced Monday August fit that Tucson artist Mykl Wells is winner of Cartasia 2012 for his monumental cardboard sculpture, Snowdrop. As such he will awarded a cash prize of 2000 euros. Every two years artists are asked for submissions, out of a field of 157 submissions six were chosen. The artists were then brought together in Lucca Italy from all over the world. They had one month to create a work of monumental proportion out of cardboard and paper based on the theme of Crisis and Rebirth. Seven sculptures were created, six in the competition and one honorarium. Mykl Wells’ piece was selected above the others based on technical proficiency, expression of the theme and aesthetic merit. The public also had the opportunity to vote by paper ballot and online which was counted as twenty percent of the total.
Of the selected projects, Mykl Wells was the only American in the competition. Other artists included Andrea Marcianò and Stefania Giannici from Italy. Zsuzsa Horvath of Hungary. Ines Hubacher from Switzerland and an honorarium piece by American artist Andrew Scott.
Each Cardboard sculpture had to be made on site and had to survive exhibited outdoors for the month of July at the end of which the winner was selected and announced.
Mykl Wells released this statement:
Cartasia was the most challenging artistic endeavor of my career. To build a sculpture like this takes commitment and community. The general public has no way of knowing how much of their souls each artists put into making their work. Every artist who participated in Cartasia deserves to win.
For my part I felt that I owed it to the people of Lucca who opened their arms and embraced me as a brother, all the people in my community without who’s generosity I couldn’t of afforded to come to Tuscany, to the history and beauty of this amazing walled city, to the other artists who’s remarkable work deeply inspired me and to the people who organized this unique event, to do my very best.
For a month I worked 16 and 18 hours a day, every day, taking only one day off in that entire time. There is a film by the great Russian director Andrey Tarkovskiy called Andrei Rublev. In it there is a young boy, the son of a bellmaker who claims he alone possesses his late fathers secrets of casting. He is tasked with a huge project which grows in cost and complexity. Through it all he confidently asserts his knowledge, making risky decisions. In the end the casting is a success and the bell rings true and clear. At this point the boy collapses to the ground, sobbing and he admits his father never told him the secret of casting a bell. By the end of construction of my piece, Snowdrop, this is how I felt. Somehow through natural talent and faith it became a reality, I’m still not entirely sure how. But know this, I gave everything I had to create a piece that would honor the people and the place. I have more grey hair than I used to. I humbly and gratefully accept this honor. Thank you for this astonishing and transformative experienceof Crisis and Rebirth. Thank you.
This was the sixth edition of Cartasia. More information is available on the website http://cartasia.it, Mykl Wells may be contacted at 520 665-8025 or email email@example.com Visit his site http://myklwells.com
Mr. Bob Paltrow of Bellingham Washington will be getting himself a fabulous new piece of art from the Amazing Painting Raffle in support of my Cartasia project, Snowdrop. Bob is the person who first taught me the ins and outs of the Macintosh operating system, how to properly do color matching for 4 color jobs and a host of other things. I’m very happy that he won. Congratulations BOB!
THE FIRST ANNUAL CARDBOARD BALL
Fundraiser in support of the Cartasia Sculpture Project
Saturday May 19th Doors open at 7:00pm
$5 dollars at the door. Show up in a fabulous Cardboard outfit, hat, headdress, full on dress, etc… you get in free. Also Anyone who bought a Raffle Ticket for the Cartasia Fundraiser Amazing Painting Raffle is on the guest list.
Galactic Center 35 E. toole ave (Big Building next to Solar Culture with the arches, One shop in from the corner of 7th and Toole.
For one night Artists will converge on the Galactic Center, conveniently located at at 35 E. Toole in the heart of Downtown Tucson’s Arts District, and transform it into a cardboard menagerie. Artist can do what ever they like as long as it involves cardboard. Ramping up into a full fledged super dance destroyer party. Every one who wants to participate can. If you want to make some cardboard wack-ness send an email to firstname.lastname@example.org with “Cardboard” in the subject line and you’ll get the details. Cardboard fashions are especially encouraged! Show up in a fabulous cardboard outfit, headdress, what-have-you and eschew the $5 cover. For more info call 520 665-8025 or email info at myklwells.com.
Local Artist Mykl Wells is one of six artists competing in this years Cartasia Biennial, A paper and cardboard art festival held in the medieval city of Lucca, Italy. It is a great honor to have been selected out of one hundred and forty applicants. He will be flown to Tuscany at the end of the month to build and install his proposed sculpture, Snowdrop. To help pay the bills for the month and a half while he is gone he is also raffling off one of his original oil paintings. Tickets will be available at the Ball as well as online.
Link to more information about the project:
Link to the Cartasia Website:
For those who don’t know I’m one of seven artist selected to compete in this years Cartasia, a biennial paper and cardboard art festival in Lucca Italy. In the next couple of weeks I will be doing some fundraising to help me cover my expenses while I’m gone.
If you’d like to contribute some money to my cause, then please give as generously as you can.
This Contest is CLOSED
The amount is up to you. Everyone who donates will get a little something from me as a thank you. For every $10 you donate you will get one chance to win one of my paintings. Your choice of one from a group of six including the Beet and Ghosts of the Congress! These are major paintings, the retail value for Ghosts of the Congress is $1200! That’s nothing to sneeze at.
I am seeking to raise $2000 by the end of the month. The money is mostly going to cover my financial obligations here in Tucson while I am away for a month and a half. Mortgage, utilities and such. Some of the money is to cover any material and tool expenses over the small budget provided by the organizers of this event. This is likely to happen and I want to make sure if I need an extra gallon of polyurethane I can afford it. Cartasia covers my travel and lodging but not my food so that is where the rest of the money will be going. Any leftover (which I doubt will happen) will be used to help me establish this years All Souls Procession Workshops. I am setting up and organizing these workshops upon returning from Italy. More to come on that!
This is an amazing opportunity for me, Those of you who know me, know that I contribute a lot to this community. Now I am asking my community to give a little back. Help me make this project a reality and lets show the world that there is more to Arizona than hate.
Title: Beet Greens and Bicycles.
Medium: Oil on Panel
It’s a little green frog riding a bike through a field of beets, what?
I am pleased to announce that my proposal for this years Cartasia paper and cardboard art festival has been selected. I will be competing with a handful other artists from around the world in this unique biennial art event. This summer I will travel to Lucca, a medieval town in Tuscany where I will have to build a giant cardboard sculpture. This is my most ambitious piece to date. Each year a theme is proposed for Cartasia. This years theme was, “crisis and rebirth”. My proposal, “Snowdrop”, is based on, galanthus nivalis, (or snowdrop) a perennial bulb that cannot bloom until it has experienced the stress of the winter.
More details to come!
Title: Teh Saddest Kitteh Evah.
Medium: Oil on Panel, Cardboard Frame
Dimensions: 6.625″ X 10.5″
a kitteh contemplates the skull of Teddy Ruxbin and is filled with remorse.
Medium: Oil on panel
Dimensions: 14″ X 14″
A little homage to my morning addiction.
Medium: Oil on Panel
Dimensions: 9” X 13”
When I paint I don’t do much more than sit down infront of a blank canvas and start. I never quite know what’s going to fall out of my head. I don’t think about what it means and I’m not trying to invest meaning in it. I trust my subconscious to the creative task and I try to get out of the way. Once in a while you just feel right, from start to finish. This was one of those paintings. It feels warmto me.
I lost a month recently as I had vertigo. It was horrible, if I moved my head even slightly I’d get so dizzy that I felt like I was falling, like in a dream. I couldn’t drive or paint or do much of anything for almost five weeks. So now I’m playing catch up.
This winter has been very mild, though it’s a bit chilly this morning as I sit on the couch bundled up with the Xugar the hairless dog and sip my coffee. looks like a perfect day to spend in the studio.
I plan to mix up a pallet of greys and layout the under painting on several new panels. I have eight new paintings in the works and one old one that I love but it’s not working. I might just sand off the half that’s not coming together and re-conceive it. I hate to do it , when you consider the time you’ve already put into it, but when you get stuck sometimes it’s best to tear down and start fresh.
I’ve been developing a big cardboard sculpture project. It may or may not be happening so I don’t want to say anymore so as not to jinx it. I’ll know more in February. Keep your fingers crossed!
Title: The Big Calaca.
Medium: Brazed Steel wire, cotton, compact fluorescent, 12 volt wheelchair battery, bike cart.
Dimensions: 13′ tall
The Big Calaca
2012 was a rather painfull year, a dear friend passed away in the early part of the year. He was a rather remarkable person and in his honor I produced this huge lantern. It was featured in the All Souls Procession and built during numerous lantern making workshops I organized for the procession. The Big Calaca was mounted on a bike cart and powered with a twelve volt battery. My friend who this was built to honor was one of the original Cockettes and a real forerunner in the gay rights movement. I miss him deeply.
Lack of interest has left me without enough students to make this pay for it’s self. Those who are interested I will try again in the spring. Maybe I can get a grant to help subsidize the costs and we can make the workshop more affordable. Without at least 5 participants I can’t afford to run this workshop. If you are interested in setting up an online portfolio you can contact me directly.
In 2008 Michael Carroll, Don Spaulding and I developed a shadow theater for GLOW. Michael was the brains of this adventure, I only provided a sculptural element and some advice. Don made many of the Mechanical elements. The end result was truly breathtaking. I have spent the last three years developing a more robust version of this that I would like to take to Burning Man and other night time festivals around the U.S. There is a lot that goes into an animatronic show like this. Controllers, DMX lighting, Power supply, Steel, Stepper and Servo motors, Speakers and wire. I estimate that this project will cost in the neighborhood of $5000. Since I don’t have the complete parts list I don’t know exactly. I could use some support in the form of Technical Assistance, materials and funding. If you are interested in getting involved in a project like this, please contact me.